{"id":1628,"date":"2019-08-01T23:00:18","date_gmt":"2019-08-01T23:00:18","guid":{"rendered":"https:\/\/wndev.xyz\/lea\/?p=1628"},"modified":"2019-08-02T20:26:45","modified_gmt":"2019-08-02T20:26:45","slug":"appel-a-contributions-the-balzac-review-revue-balzac","status":"publish","type":"post","link":"https:\/\/wndev.xyz\/lea\/appel-a-contributions-the-balzac-review-revue-balzac\/","title":{"rendered":"Appel \u00e0 contributions: The Balzac Review\/Revue Balzac"},"content":{"rendered":"<div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 fusion-flex-container nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:calc( 100% + 0px );margin-left: calc(-0px \/ 2 );margin-right: calc(-0px \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:0px;--awb-margin-bottom-large:0px;--awb-spacing-left-large:0px;--awb-width-medium:100%;--awb-spacing-right-medium:0px;--awb-spacing-left-medium:0px;--awb-width-small:100%;--awb-spacing-right-small:0px;--awb-spacing-left-small:0px;\"><div class=\"fusion-column-wrapper fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-1\"><p style=\"text-align: center;\"><strong><em>The Balzac Review\/Revue Balzac<\/em>, n\u00b0 4\/2021<\/strong><\/p>\n<p style=\"text-align: center;\">L\u2019\u00e9dition\/Publishing<br \/>\nSous la direction d\u2019Andrea Del Lungo et Takayuki Kamada<\/p>\n<p style=\"text-align: center;\"><em><strong>Varia<\/strong><\/em><\/p>\n<p><strong>Appel \u00e0 contributions<\/strong><br \/>\nCe num\u00e9ro propose d\u2019interroger les diff\u00e9rents \u00e9l\u00e9ments de l\u2019\u00e9dition de l\u2019\u0153uvre balzacienne dans son double aspect de production-diffusion \u00e0 l\u2019\u00e9poque et de transmission post\u00e9rieure, avec une attention particuli\u00e8re sur les apports actuels des technologies num\u00e9riques.<\/p>\n<p>Voici quelques pistes de travail (non exclusives) :<br \/>\n1. Balzac et ses \u00e9ditions<br \/>\n&#8211; Situation du march\u00e9 \u00e9ditorial \u00e0 l\u2019\u00e9poque.<br \/>\n&#8211; Dimension cr\u00e9ative des activit\u00e9s de Balzac \u00e9diteur-imprimeur.<br \/>\n&#8211; Gestion balzacienne des \u00e9ditions : strat\u00e9gie de diversification et de r\u00e9\u00e9dition, arts typographiques, modulation de l\u2019appareil paratextuel (titres, discours pr\u00e9faciels, illustrations, etc.) ; effets de r\u00e9ception.<br \/>\n&#8211; Attribution auctoriale.<br \/>\n&#8211; La diffusion des oeuvres de Balzac au XIXe si\u00e8cle.<\/p>\n<p>2. \u00c9diter Balzac (\u00e0 l\u2019\u00e8re du num\u00e9rique)<br \/>\n&#8211; Historique des \u00e9ditions modernes : \u00e9tablissement de texte, mise en ordre, constitution de l\u2019apparat critique (paratextes, variantes, fragments g\u00e9n\u00e9tiques et autres documents), politiques \u00e9ditoriales (Balzac \u00ab en oeuvres compl\u00e8tes \u00bb ou Balzac \u00ab en poche \u00bb).<br \/>\n&#8211; Horizon \u00e9ditorial : La Com\u00e9die humaine, oeuvres diverses, Correspondance, textes avort\u00e9s, documents de travail.<br \/>\n&#8211; Mise au point des outils de travail (index des personnages, dictionnaires, base de donn\u00e9es, etc.)<br \/>\n&#8211; \u00c9dition num\u00e9rique : modalit\u00e9s d\u2019acc\u00e8s au texte, pratiques de lecture, infl\u00e9chissements herm\u00e9neutiques.<br \/>\n&#8211; Potentialit\u00e9s et r\u00e9sultats de l\u2019\u00e9dition num\u00e9rique dans l\u2019interrogation et l\u2019analyse du texte (variantes, identifications de source, hypertexte).<\/p>\n<\/div><div ><a class=\"fusion-button button-flat fusion-button-default-size button-default fusion-button-default button-1 fusion-button-default-span fusion-button-default-type\" target=\"_self\" href=\"https:\/\/wndev.xyz\/lea\/?attachment_id=1618\"><span class=\"fusion-button-text\">Plus d&#8217;information<\/span><\/a><\/div><\/div><\/div><\/div><\/div>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[46],"tags":[],"class_list":["post-1628","post","type-post","status-publish","format-standard","hentry","category-autres-annonces"],"_links":{"self":[{"href":"https:\/\/wndev.xyz\/lea\/wp-json\/wp\/v2\/posts\/1628","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wndev.xyz\/lea\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wndev.xyz\/lea\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wndev.xyz\/lea\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/wndev.xyz\/lea\/wp-json\/wp\/v2\/comments?post=1628"}],"version-history":[{"count":2,"href":"https:\/\/wndev.xyz\/lea\/wp-json\/wp\/v2\/posts\/1628\/revisions"}],"predecessor-version":[{"id":1634,"href":"https:\/\/wndev.xyz\/lea\/wp-json\/wp\/v2\/posts\/1628\/revisions\/1634"}],"wp:attachment":[{"href":"https:\/\/wndev.xyz\/lea\/wp-json\/wp\/v2\/media?parent=1628"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wndev.xyz\/lea\/wp-json\/wp\/v2\/categories?post=1628"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wndev.xyz\/lea\/wp-json\/wp\/v2\/tags?post=1628"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}