{"id":2089,"date":"2021-10-21T08:57:29","date_gmt":"2021-10-21T08:57:29","guid":{"rendered":"https:\/\/wndev.xyz\/lea\/?p=2089"},"modified":"2021-10-21T08:58:47","modified_gmt":"2021-10-21T08:58:47","slug":"colloque-spectres-de-dostoievski-20-22-octobre-2021-strasbourg-2","status":"publish","type":"post","link":"https:\/\/wndev.xyz\/lea\/colloque-spectres-de-dostoievski-20-22-octobre-2021-strasbourg-2\/","title":{"rendered":"Colloque Spectres de Dosto\u00efevski | 20-22 octobre 2021 | Strasbourg"},"content":{"rendered":"<table width=\"100%\">\n<thead>\n<tr>\n<td width=\"650\">\n<p style=\"text-align: center;\"><strong>Colloque International<\/strong><\/p>\n<h1 style=\"text-align: center;\">Spectres de Dosto\u00efevski<\/h1>\n<h2 style=\"text-align: center;\">20-22 octobre 2021<\/h2>\n<p style=\"text-align: center;\">Amphith\u00e9\u00e2tre du Coll\u00e8ge Doctoral Europ\u00e9en, Strasbourg<\/p>\n<p style=\"text-align: center;\">En ligne sur <a href=\"https:\/\/bbb.unistra.fr\/b\/vic-my1-zze-frp\">https:\/\/bbb.unistra.fr\/b\/vic-my1-zze-frp<\/a><\/p>\n<\/td>\n<\/tr>\n<\/thead>\n<\/table>\n<h2><a href=\"https:\/\/wndev.xyz\/lea\/?attachment_id=2086\" rel=\"attachment wp-att-2086\"><img decoding=\"async\" class=\"aligncenter wp-image-2086\" src=\"https:\/\/wndev.xyz\/lea\/wp-content\/uploads\/spectres.jpg\" alt=\"\" width=\"457\" height=\"648\" \/><\/a><\/h2>\n<h2 style=\"text-align: center;\">Programme<\/h2>\n<h2>Mercredi 20 octobre<\/h2>\n<p><strong>13h30 \u2013 accueil des participants<\/strong><\/p>\n<p><strong>Mot d\u2019accueil de Mme Emilia Koustova, directrice du d\u00e9partement d\u2019\u00e9tudes slaves<\/strong><\/p>\n<p><strong>De M. G\u00e9rard Bellito, secr\u00e9taire g\u00e9n\u00e9ral du Cercle Gutenberg, et de Mme Enrica Zanin, prix Guy Ourisson 2018<\/strong><\/p>\n<p><strong>De Mme Karen Haddad, directrice du Centre de recherche en Litt\u00e9rature et Po\u00e9tique Compar\u00e9es de l\u2019Universit\u00e9 Paris Nanterre<\/strong><\/p>\n<p><strong>13h45 \u2013 introduction par Nicolas Aude, Victoire Feuillebois et Karen Haddad<\/strong><\/p>\n<p>&nbsp;<\/p>\n<h3><strong>14h15 \u2013 15h30 Du mot \u00e0 l\u2019id\u00e9e I <\/strong><\/h3>\n<p><strong>Mod\u00e9ration Catherine Depretto<\/strong><\/p>\n<p><strong>Michel Niqueux<\/strong> (Universit\u00e9 de Caen-Normandie) Le vocabulaire spectral de Dosto\u00efevski (<em>prizrak, videnie, prividenie<\/em>)<\/p>\n<p><strong>Sergue\u00ef Fokine<\/strong> (Universit\u00e9 nationale \u00c9conomique de Saint-P\u00e9tersbourg) Spectres du <em>Capital<\/em> dans l\u2019\u0153uvre et la vie d\u2019un \u00e9crivain-prol\u00e9taire<\/p>\n<p><strong>Pause \u2013 15h30\u2013 15h45<\/strong><\/p>\n<p>&nbsp;<\/p>\n<h3><strong>15h45 \u2013 17h<\/strong><strong> Du mot \u00e0 l\u2019id\u00e9e II <\/strong><\/h3>\n<h3><strong>Mod\u00e9ration Nicolas Aude<\/strong><\/h3>\n<p><strong>Ioulia Podoroga<\/strong> (IMLI) Le spectre et le double : la hantise de l\u2019id\u00e9e chez Dosto\u00efevski<\/p>\n<p><strong>Margot Buvat<\/strong> (Universit\u00e9 Bordeaux-Montaigne) Hantologie du De Quincey de Musset dans <em>La Logeuse<\/em> de Dosto\u00efevski<strong>\u00a0<\/strong><\/p>\n<p>&nbsp;<\/p>\n<h2>Jeudi 21 octobre<\/h2>\n<h3><strong>9h30-10h45 Mod\u00e8les de hantise <\/strong><\/h3>\n<p><strong>Mod\u00e9ration Karen Haddad<\/strong><\/p>\n<p><strong>Jean-Louis Back\u00e8s<\/strong> (Universit\u00e9 Paris Sorbonne)\u00a0Action rituelle des anc\u00eatres<\/p>\n<p><strong>Elena Galtsova<\/strong> (RGGU-IMLI) Le souterrain \u00ab hant\u00e9 \u00bb et \u00ab qui hante \u00bb : ironies et malentendus dans des continuums r\u00e9ceptifs des Notes \u00e9crites dans un souterrain<\/p>\n<p><strong>Pause \u2013 10h45-11h<\/strong><\/p>\n<p>&nbsp;<\/p>\n<h3><strong>11h00-12h45<\/strong><strong> Fant\u00f4mes fran\u00e7ais <\/strong><\/h3>\n<h3><strong>Mod\u00e9ration Philippe Forest<\/strong><\/h3>\n<p><strong>Karen Haddad<\/strong> (Universit\u00e9 Paris Nanterre) \u00ab\u00a0<em>La beaut\u00e9 sauvera le monde<\/em>. Il faut trouver autre chose\u00a0\u00bb (Houellebecq)<\/p>\n<p><strong>Paolo Tortonese<\/strong> (Universit\u00e9 Paris III-Sorbonne Nouvelle) Lectures du remords : <em>Crime et ch\u00e2timent<\/em> sous le regard de la critique fran\u00e7aise en 1884-1889<\/p>\n<p><strong>Victoire Feuillebois<\/strong> (Universit\u00e9 de Strasbourg) Dosto\u00efevski \u201cdans l&#8217;ombre de Vautrin\u201d: sur un \u201ctexte-fant\u00f4me\u201d balzacien<\/p>\n<p><strong>D\u00e9jeuner &#8211; 12h45 \u2013 14h30<\/strong><\/p>\n<p>&nbsp;<\/p>\n<h3><strong>14h30-16h<\/strong><strong> Dosto\u00efevski transatlantique <\/strong><\/h3>\n<h3><strong>Mod\u00e9ration Monica Manolescu<\/strong><\/h3>\n<p><strong>Isabelle Poulin<\/strong> (Universit\u00e9 Bordeaux Montaigne) La chambre du pass\u00e9. L&#8217;intertexte dosto\u00efevskien comme hantise dans l&#8217;\u0153uvre de l&#8217;exil\u00e9 Nabokov<\/p>\n<p><strong>Manon Amandio<\/strong> (Universit\u00e9 Clermont Auvergne) Dosto\u00efevski \u00e0 Los Angeles : le spectre russe du roman policier am\u00e9ricain ?<\/p>\n<p><strong>Pause \u2013 16h \u2013 16h30<\/strong><\/p>\n<p><strong>17h-19h<\/strong><strong> Conf\u00e9rence \u201cRegards crois\u00e9s sur Dosto\u00efevski : Julia Kristeva et Andr\u00e9 Markowicz\u201d \u00e0 la Biblioth\u00e8que Nationale Universitaire de Strasbourg (6 place de la R\u00e9publique, Strasbourg\u00a0; pass sanitaire demand\u00e9, inscription obligatoire sur le site de la BNU<\/strong><\/p>\n<p><strong>https:\/\/www.bnu.fr\/fr\/evenements-culturels\/agenda-culturel\/regards-croises-sur-dostoievski-julia-kristeva\/andre-markowicz)<\/strong><\/p>\n<h1><\/h1>\n<p>&nbsp;<\/p>\n<h2>Vendredi 22 octobre<\/h2>\n<h3><strong>10h-11h45 Perspectives interm\u00e9diales <\/strong><\/h3>\n<p><strong>Mod\u00e9ration Catherine G\u00e9ry<\/strong><\/p>\n<p><strong>Jasmine Jacq<\/strong> (Universit\u00e9 de Franche-Comt\u00e9) <em>La Maison morte<\/em><em>\u00a0(URSS, 1932<\/em>), de Vassili Fiodorov sur un sc\u00e9nario de Viktor Chklovski. Du &#8220;probl\u00e8me Dosto\u00efevski&#8221; dans le champ culturel sovi\u00e9tique des ann\u00e9es 1920<\/p>\n<p><strong>Nicolas Aude<\/strong> (Universit\u00e9 Paris Nanterre) L\u2019auteur d\u00e9visag\u00e9\u00a0: Dosto\u00efevski et la hantise de l\u2019image photographique<\/p>\n<p><strong>Floriane Toussaint<\/strong> (Universit\u00e9 Paris III-Sorbonne Nouvelle) Spectralisation de la sc\u00e8ne sous l\u2019influence de Dosto\u00efevski : le cas de <em>Bracia Karamazow<\/em> de Krystian Lupa<\/p>\n<p><strong>D\u00e9jeuner 11h45 \u2013 13h45<\/strong><\/p>\n<p>&nbsp;<\/p>\n<h3><strong>13h45-15h<\/strong><strong> Enjeux \u00e9thiques I <\/strong><\/h3>\n<h3><strong>Mod\u00e9ration Guy Ducrey<\/strong><\/h3>\n<p><strong>Philippe Forest<\/strong> (Universit\u00e9 de Nantes) \u00c0 la fa\u00e7on d&#8217;une phrase fant\u00f4me<\/p>\n<p><strong>Olga Voltchek<\/strong> (chercheuse ind\u00e9pendante, Saint-P\u00e9tersbourg) Le Grand homme et les petits enfants : le spectre de Napol\u00e9on dans <em>L\u2019Idiot<\/em> de Dosto\u00efevski<\/p>\n<p><strong>Pause &#8211; 15h-15h15<\/strong><\/p>\n<p>&nbsp;<\/p>\n<h3><strong>15h15-17h00<\/strong><strong> Enjeux \u00e9thiques II <\/strong><\/h3>\n<h3><strong>Mod\u00e9ration Rodolphe Baudin<\/strong><\/h3>\n<p><strong>Aline Lebel<\/strong> (Universit\u00e9 Paris Nanterre) Fant\u00f4mes enfantins : enjeux et modalit\u00e9s d&#8217;une revenance dosto\u00efevskienne chez Toni Morrison, des\u00a0<em>Fr\u00e8res Karamazov<\/em>\u00a0\u00e0\u00a0<em>Beloved<\/em><\/p>\n<p><strong>Tatiana Victoroff<\/strong> (Universit\u00e9 de Strasbourg) La beaut\u00e9 hantera le monde : anges et d\u00e9mons dosto\u00efevskiens dans <em>La Naissance d\u2019un assassin<\/em> de L\u00e1szl\u00f3 Krasznahorkai<\/p>\n<p><strong>17h-17h15 &#8211; Conclusion<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Colloque International Spectres de Dosto\u00efevski 20-22 octobre 2021 Amphith\u00e9\u00e2tre du [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[50,44],"tags":[],"class_list":["post-2089","post","type-post","status-publish","format-standard","hentry","category-actualites","category-colloques"],"_links":{"self":[{"href":"https:\/\/wndev.xyz\/lea\/wp-json\/wp\/v2\/posts\/2089","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wndev.xyz\/lea\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wndev.xyz\/lea\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wndev.xyz\/lea\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/wndev.xyz\/lea\/wp-json\/wp\/v2\/comments?post=2089"}],"version-history":[{"count":3,"href":"https:\/\/wndev.xyz\/lea\/wp-json\/wp\/v2\/posts\/2089\/revisions"}],"predecessor-version":[{"id":2092,"href":"https:\/\/wndev.xyz\/lea\/wp-json\/wp\/v2\/posts\/2089\/revisions\/2092"}],"wp:attachment":[{"href":"https:\/\/wndev.xyz\/lea\/wp-json\/wp\/v2\/media?parent=2089"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wndev.xyz\/lea\/wp-json\/wp\/v2\/categories?post=2089"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wndev.xyz\/lea\/wp-json\/wp\/v2\/tags?post=2089"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}